The subtle, well-composed frames of Ida prove that composition is amongst the most powerful visual storytelling tools at our disposal.
In recent years, the Oscar category for Best Cinematography has been dominated largely by flashy VFX-heavy films. Many of these films are also heavy on camera movement and incredibly complex lighting schemes. This year, somewhat surprisingly if I'm being honest, the Academy's cinematography nominations trended back towards traditionally shot films like The Grand Budapest Hotel and Mr. Turner (plus another nomination for Roger Deakins).